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Charlie Vettuno is a dynamic Dance/Hip-Hop/R&B/Pop duo blending influences from producers like Timbaland, The Neptunes & Kaytranada as well as produced for the likes of Ari Lennox & Raphael Saadiq. They return with a new EP ripe for the dancefloor & summertime speakers!
"an afrodisiac-filled, G-Funk house amalgam ... a talk-rap club banger" - CLASH MAGAZINE
"an architect of recollection" Exclaim!
"warm, wistful, and quaint all at once" HYPEBEAST
"'contemplative and comforting" NPR
"His voice lilts with every syllable, making the imagery feel crushing and poignant" Pitchfork
Montreal artist and songwriter Jonah Yano announces his new album Jonah Yano & The Heavy Loop due October 4th. Coinciding with the album news, he shares two new songs, the previously-unheard “Romance ESL,” as well as releasing his momentous album closer “The Heavy Loop." Both songs, and his new album as a whole, signal an experimental new chapter in Yano’s creative trajectory and his first time working hand-in-hand with his band, Christopher Edmonson, Benjamin Maclean, Leighton Harrell, Felix Fox-Pappas and Raiden Louie. Together, they’ve crafted a collaborative album with Jonah at the helm, that melds free sound, rock, R&B and jazz traditions into a panoramic view of the experience of making an album.
Yano is a soulful, genre-agnostic talent, always shifting the unstable ground his songs rest on, revising it, making it anew. Having emigrated to Vancouver from Hiroshima at the age of four, much of Yano’s approach to music is influenced by his own fractured identity as a member of the Japanese-Canadian diaspora, as well as his larger interest in memory, family histories, and the nuances of interpersonal relationships. The result is a soundtrack that defies easy genre categorization and captures the grey area in which we can find the most fruitful experiences life has to teach us while also highlighting Jonah’s expert musical compositional skills. Yano’s band – composed of Raiden Louie (Drums), Chris Edmondson (Saxophone, Clarinet, Synthesizer), Benja (Guitar), Leighton Harrell (Bass) and Felix Fox-Pappas (Piano, Rhodes) -- first came together to record his 2023 single "concentrate" with Clairo. Now, Yano sits front and center playing the role of conductor as he guides the gentle haze of his musical soundscape into a new ever-evolving world with a steady hand.
Jonah Yano has made songwriting contributions to fellow Canadians Charlotte Day Wilson’s Cyan Blue and Mustafa’s forthcoming album Dunya. In 2023, Jonah released his sophomore album portrait of a dog, co-produced alongside BADBADNOTGOOD and received critical acclaim from outlets like RANGE, Pitchfork, and Exclaim!. He was twice-nominated for the SOCAN Songwriting Prize, drawing the attention of Gilles Peterson, Benji B and the late Virgil Abloh. He’s played the Montreal International jazz Festival, the EFG London Jazz Festival and toured Japan for ten solo shows in 2023. Earlier this year, he released the little italy demos, a three-song collaborative tape with his neighbor in Montreal, Le Ren.
On Closer, rising electronic luminary and classically trained pianist Maria Chiara Argirò presents a journey of self-exploration, and a manifestation of her profound connection with music. Her new single “Floating” is meant to be listened to with your eyes closed. Maria tells, “While writing ‘Floating’, I was deeply thinking about a mind exploration of the reality/unreality of things, life/subconscious/conscious, the quiet moments vs the noise moments and the dreams vs reality. Floating, blurry images that become reality or mix with the imagination and vice-versa. Lyrically, it’s like a mantra and we end up floating (in the dreams or reality?)”
Rooted in an indescribable feeling that compelled her to create, the album transcends boundaries and tranverses the spectrum of electronic music with unparalleled depth and clarity. On the album, Maria says:
“It is about a feeling, a dreamlike feeling in motion, a feeling that we cannot describe, a dream I’m sort of walking through. Emotions/dreams/feelings that sometimes you can just imagine, a dreamlike world where we walk through to get to the core of ourselves a bit more, even if things are completely undefined and blurry. While working on the music there was this strong feeling - at times blurry and at times more defined - of getting, with every single note, closer and closer to the person I want to be. Free. Curious and consequently Aware, Connected and Closer to the people I love. There is so much noise in this world, I think being direct, gentle, light, open and connected is the key.”
Second-generation Jamaican, Floridian rapper Wahid shares his new EP ‘feast, by ravens’, out now. The EP includes singles “SOLSTICE” and “Mezcal”, both have seen praise from Dazed’s Only Tracks You Need To Hear, COLORSxSTUDIOS, CLASH Magazine’s Astral Realm and Okay player’s Round-Up. Last year’s two-track EP “WILT/CORNERSTONE” was his debut which landed him in Complex-Pigeons and Planes’ highly respected Best New Artists feature for their October edition.
Through Wahid’s sonic storytelling he refuses to submit to negativity and fatalism. His hip-hop collective had just wrapped their first national tour. Their DMs were flooded with A&Rs offering deals and producers looking to collaborate. Then the group split up. It was over before it even began. The ensuing depression was all-consuming. There were days where Wahid didn’t budge from bed, drawing the blinds closed, and numbing the wounds with bottle after bottle of liquor. Despite his best efforts to salvage the wreckage, none of his attempts yielded anything positive. But through the duress, he discovered his inner resilience and perseverance. The results are manifest on his debut Innovative Leisure EP, feast, by ravens – an artful refusal to submit, and a testimonial to the indomitability of the human spirit. The title of the project comes from the parable of Elijah in the Book of Kings.
If you’re looking for comparisons, let’s start with if Black Thought was born two decades later and raised in Central Florida by a Jamaican DJ father who raised his progeny on a booming system of rocksteady, dancehall and reggae dubplates. As a teenager in the late 00s, his older brother exposed him to the classics of hip-hop’s second Golden Age. As Wahid describes it: “Nas made me want to rap, listening to the GZA’s Liquid Swords made me good at it, and Black Thought helped me refine my skills.”