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On Closer, rising electronic luminary and classically trained pianist Maria Chiara Argirò presents a journey of self-exploration, and a manifestation of her profound connection with music. Her new single “Floating” is meant to be listened to with your eyes closed. Maria tells, “While writing ‘Floating’, I was deeply thinking about a mind exploration of the reality/unreality of things, life/subconscious/conscious, the quiet moments vs the noise moments and the dreams vs reality. Floating, blurry images that become reality or mix with the imagination and vice-versa. Lyrically, it’s like a mantra and we end up floating (in the dreams or reality?)”
Rooted in an indescribable feeling that compelled her to create, the album transcends boundaries and tranverses the spectrum of electronic music with unparalleled depth and clarity. On the album, Maria says:
“It is about a feeling, a dreamlike feeling in motion, a feeling that we cannot describe, a dream I’m sort of walking through. Emotions/dreams/feelings that sometimes you can just imagine, a dreamlike world where we walk through to get to the core of ourselves a bit more, even if things are completely undefined and blurry. While working on the music there was this strong feeling - at times blurry and at times more defined - of getting, with every single note, closer and closer to the person I want to be. Free. Curious and consequently Aware, Connected and Closer to the people I love. There is so much noise in this world, I think being direct, gentle, light, open and connected is the key.”
Second-generation Jamaican, Floridian rapper Wahid shares his new EP ‘feast, by ravens’, out now. The EP includes singles “SOLSTICE” and “Mezcal”, both have seen praise from Dazed’s Only Tracks You Need To Hear, COLORSxSTUDIOS, CLASH Magazine’s Astral Realm and Okay player’s Round-Up. Last year’s two-track EP “WILT/CORNERSTONE” was his debut which landed him in Complex-Pigeons and Planes’ highly respected Best New Artists feature for their October edition.
Through Wahid’s sonic storytelling he refuses to submit to negativity and fatalism. His hip-hop collective had just wrapped their first national tour. Their DMs were flooded with A&Rs offering deals and producers looking to collaborate. Then the group split up. It was over before it even began. The ensuing depression was all-consuming. There were days where Wahid didn’t budge from bed, drawing the blinds closed, and numbing the wounds with bottle after bottle of liquor. Despite his best efforts to salvage the wreckage, none of his attempts yielded anything positive. But through the duress, he discovered his inner resilience and perseverance. The results are manifest on his debut Innovative Leisure EP, feast, by ravens – an artful refusal to submit, and a testimonial to the indomitability of the human spirit. The title of the project comes from the parable of Elijah in the Book of Kings.
If you’re looking for comparisons, let’s start with if Black Thought was born two decades later and raised in Central Florida by a Jamaican DJ father who raised his progeny on a booming system of rocksteady, dancehall and reggae dubplates. As a teenager in the late 00s, his older brother exposed him to the classics of hip-hop’s second Golden Age. As Wahid describes it: “Nas made me want to rap, listening to the GZA’s Liquid Swords made me good at it, and Black Thought helped me refine my skills.”
Maria Chiara Argirò’s forthcoming album Closer is a testament to her journey of self-exploration, and a manifestation of her profound connection with music. Rooted in an indescribable feeling that compelled her to create, the album transcends boundaries and tranverses the spectrum of electronic music with unparalleled depth and clarity.
Today she’s shared Closer’s opener “Light” - an alluring and infectious synth-pop hit. Argiró says, "It’s about establishing a lighter and balanced relationship with your inner self and consequently with others. Connect genuinely with yourself and others by exploring life in a 'soft' and 'lighter' way, without the need to force things to happen.” The single comes with another immersive video from director Raoul Paulet who describes it, “A mesmerising and kaleidoscopic journey made of colourful and flashy street lights at night in London.”
Argirò has been a central figure in the UK electronic, jazz and classical worlds since she moved to London from Rome over a decade ago. A skilled pianist since childhood, she’s collaborated with everyone from These New Puritans to Jono McCleery to Jamie Leeming alongside output with Moonfish. Her previous solo album, the stunning electronic jazz-fusion record Forest City, received widespread critical acclaim from the likes of The Guardian, The Fader, Vogue, Rolling Stone and Pitchfork who described Maria's sound: "Hazy, downtrodden vocal harmonies blend with aquatic synth arpeggios that mirror the tide, like Azure Ray singing over Thom Yorke compositions." Her music has featured in the Netflix series, Elite, and she can count the likes of Four Tet and Gilles Peterson as fans, with the latter describing her music as “absolutely crazy good”.
The result of this journey, both sonic and personal, can be keenly felt on Closer. While it is definitely not a concept album, the record does mirror the path of inner self-exploration that Argirò has been on. Albeit moving in unpredictable ways, as it traverses the spectrum of electronic music spanning ambient to dance music, while also retaining light touches of jazz with a leaning towards experimental pop via Argirò’s more central and up-front vocals.
On the album, Maria says: “It is about a feeling, a dreamlike feeling in motion, a feeling that we cannot describe, a dream I’m sort of walking through. Emotions/dreams/feelings that sometimes you can just imagine, a dreamlike world where we walk through to get to the core of ourselves a bit more, even if things are completely undefined and blurry. While working on the music there was this strong feeling - at times blurry and at times more defined - of getting, with every single note, closer and closer to the person I want to be. Free. Curious and consequently Aware, Connected and Closer to the people I love. There is so much noise in this world, I think being direct, gentle, light, open and connected is the key.”
See Clash for more details about the single and forthcoming project.
Second-generation Jamaican, Floridian rapper Wahid has today shared his debut two-track EP “WILT/CORNERSTONE.”
Feeling carefree, Wahid shares this on the two tracks, “‘WILT’ is a record conceived after I drank a cheap bottle of Stroysky liquor in the studio with Kaelin and Iggy. I wanted to emulate carefree vibes on Isaiah Rashad’s ‘House is Burning’ album. With a lot of Damian Marley playing through the studio speakers, ‘CORNERSTONE’ is a direct inspiration from a song his father wrote (Bob Marley’s Cornerstone; 1970), which is one of my all time favorite songs. Meek shall inherit the earth, last shall be first.”
Through Wahid’s sonic storytelling he refuses to submit to negativity and fatalism. His hip-hop collective had just wrapped their first national tour. Their DMs were flooded with A&Rs offering deals and producers looking to collaborate. One major label president – who had signed some of the biggest artists of the last quarter-century – told them that they were on the path to becoming global superstars. Then the group split up. It was over before it even began.
The ensuing depression was all-consuming. There were days where Wahid didn’t budge from bed, drawing the blinds closed, and numbing the wounds with bottle after bottle of liquor. Despite his best efforts to salvage the wreckage, none of his attempts yielded anything positive. But through the duress, he discovered his inner resilience and perseverance. Stay tuned for more music from Wahid.
“an afrodisiac-filled, G-Funk house amalgam” - CLASH
Southern California producer-singer duo, comprised of songwriter tomee zero and producer JVMES JET, Charlie Vettuno have shared their debut EP Lime Juice. Supported by Wonderland, CLASH and BBC Radio 1Xtra, the duo have built a devoted fanbase for their unique sonic tapestry not only in their hometown of Los Angeles but further beyond. EP highlights include the high-energy house-induced “Triggered” and vibrantly brilliant “Fre nch Toast Pt 2”.
The duo bring a dynamic blend of musicality and innovation to their craft. Their sleek club-rap tracks draw comparison to producers-artists like Cakes Da Killa, Channel Tres, Azealia Banks and Kaytranada. Charlie Vettuno's signature style has caught the attention of music critics and fans alike, earning them praise from notable publications such as Rolling Stone Magazine and leading them to work with the likes of Ari Lennox.
“Our EP Lime Juice is a narrative on fame.” says the duo on their debut project. “It’s told through the eyes of a lost but ambitious person who believes fame will solve their problems and through the journey they discover fame is not the answer. Each song dives into the spoils of fame, Ego, Luxury, Sex, Drugs & Rock n’ Roll but with our own twist. Ending with the realization they need to get back to who they truly are despite the new circumstances of their life.”