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Hiroshima-born, Montreal-based singer-songwriter Jonah Yano shares his new single "leslianne." The track is his second offering from his forthcoming sophomore album Portrait of a Dog, which is entirely produced alongside BADBADNOTGOOD, out January 27th via Innovative Leisure. From the very start of its rapid run time of just under two minutes, "leslianne" lays out a spacious, intricate tapestry of keys and strings for Jonah's soft story of a girl finding her way home.

For the past month, Yano has been supporting Clairo for the last leg of her North American and the entirety of her European tour dates. Yano has two more dates opening for Clairo in London before he closes the live run with a headline show of his own at Servant Jazz Quarters in London this Wednesday. 

 portrait of a dog includes the previously-released singles "always", which arrived with a video shot on location in Five Islands, Nova Scotia, and "the speed of sound!," which is at the confluence of his love of folk and jazz music. The 12-track project is an exploration of themes present throughout most of Yano’s catalog – identity as a part of the Japanese-Canadian diaspora, contemplation of different family dynamics, and the intricacies of interpersonal relationships.

It’s a focused departure from Yano’s previous recordings – establishing a clear sonic identity throughout the album’s 12 songs to weave together two complementary narrative threads of a family homage and archive, and a deeply personal recollection of a fading relationship. Beyond the co-production of BADBADNOTGOOD, portrait of a dog features additional guest work from Slauson Malone, Sea Oleena, with string arrangements by Eliza Niemi, Leland Whitty, and Yano himself. 

See Clash for more info.

“Detroit experimentalist and texture king Jimmy Edgar is the kind of producer that opens a doorway in your mind” - BILLBOARD

“evokes a thrilling future of club music without borders”  - PITCHFORK

“One of electronic music's most diverse producers” – MIXMAG     

Announced alongside not one, but two blistering new tracks “SLIP N SLIDE” and “STATIC (FT BANSHEE)”, Jimmy Edgar’s upcoming album LIQUIDS HEAVEN (out on November 11) is a psychedelic canvas of future R&B, euphoric bass, mutant tear-the-club-up rap, foundation-splintering noise, and gossamer soul. On a surface level, it is a starburst of avant-garde fusion, collecting a diverse cast of eccentric geniuses and re-configuring them into an anthology of nü musique concrete. But as with all his work, there is a deeper and subversive intent. Edgar unleashes two mind-melting, genre-bending tracks into the ether, blending funky electronic motifs, futuristic soul, and techno to sublime effect. 

Signed to Warp Records as a teenage electronic music prodigy, Edgar has recorded for the world’s most respected imprints (Warp, K7, Hotflush and his own New Reality Now). Raised in Detroit, with stints in Berlin, Atlanta, Los Angeles, and New York, his list of close collaborators includes Hudson Mohawke, Danny Brown, SOPHIE, DAWN, Mykki Blanco, Vince Staples, and Machinedrum (as one half of their duo J-E-T-S). LIQUIDS HEAVEN’s early gestation spawned from Edgar’s explorations of “material” in the digital world, and is part of his broader ambition to change belief and intention in the digital realm – a pseudo-invisible way to summon novel realities by infusing his ultra-sleek aesthetic into transformative conceptual art. LIQUIDS HEAVEN is the ultimate culmination of the idea of “phases of matter.”

LIQUIDS HEAVEN is not merely a technicolor dream of ethereal abstractions, however. It bangs as hard as anything to ever bump from a subwoofer. But for all the high energy propulsion, there is a counter-balance of melancholic beauty, and in a career of fascinating left-turns, it would be more surprising if LIQUIDS HEAVEN wasn’t surprising. The genius of it is that for all its cerebral intent, it remains replete with raw and visceral emotion. Out of sadness comes courage. Water, liquid, and light evaporate, become transparent, disappear peacefully. Nothing less than the sound and look of liquid are transmuted into powerful new sculptures – which are best experienced at a high volume on the far side of the sky.

Read more at CLASH, LINE OF BEST FIT & XLR8R.

Following the release of "New Summers" last month, De Lux drop new single "Morning Misses Me" from their upcoming album Do You Need A Release? They had this to say on the gorgeous piano ballad, out now: "Morning Misses Me is about forever being a night owl. No matter the noise or the time, mornings are always missed."  Read more about it on CLASH.

"A drifting, dreamy piece of indie pop” - CLASH

Having recently released his EP 'UP AT 4', Hawaiian-born, Long Beach-based songwriter Lionel Boy is sharing the first single from the second EP, "SHDWS". The second EP in this two-part series 'DOWN AT 8' is due June 17th via Innovative Leisure. 

Speaking about the the track, Lionel Boy said "I listen to people speak about their “friends” and I think, “are you really friends?” I guess I wrote this song in observation of that—how people in my life have these friendships that seem to really frustrate them but, for whatever reason, they continue to keep close. Friendships where there’s usually more bad to say than good. They go out with them...and then complain about going out with them. Maybe they don’t know they can do better...maybe they’re just as bad a friend...but it made me think that we’re all just shadows making friends with other shadows. And that’s not how I want to navigate friendships in my own life; it’s too much work to have to suit up every night just to go out and spend time with someone I don’t even like being around."

Lionel Boy’s sound mixes spacey synthesizers, impromptu breakbeats & bedroom pop. The airy, jazz-cracked, electronic pop of Lionel Boy belies a wistful romanticism, a careful observational streak, and a meditative fixation on life and death. Lionel Boy is soulful and easy-going, both introspective and laissez faire, extremely mellow but never soft-headed. 

'UP AT 4' and 'DOWN AT 8' are a collection of songs that started off as demos in Lionel Boy's living room. Following the release of his debut album, Lionel Boy wanted to continue exploring producing and collaborating with friends. 

"I felt like I spent all and none of 2021 working on these songs. Producing these EPs looked like a lot of early mornings and evenings spent at my computer screen. Some days feeling like I made no changes at all. I’m a pretty early riser—waking up at 4 am which are when many of these songs came to mind. I spend most of my time working when the world is quiet which sounds nice but isn’t always the easiest to do when you live in an older apartment with downstairs neighbors. Everything I do to get things moving in the morning is an inconvenience to the people around me—the creaky wood floors, tracking vocals, tapping my drum machine...just one of the many ways I’ve woken up my girlfriend throughout the years. Trying to find a balance between making my music when the creativity strikes while also being a respectful roommate/neighbor is tricky but we make it work.

I’m grateful for the people who have helped me elevate these songs beyond this space. Friends like Brett Kramer, Andrew Pham, Ukiah Bogle, Casey Liu, Nathan Hawelu, Harlem (Dotager) and Jonny Bell were crucial to making these songs what they are now."

UP AT 4 tracklist:
1. FREEZE
2. SHADOWBOXING
3. LOVE
4. SMWYG
5. GLORY DAZE (Bonus Track)

DOWN AT 8 tracklist:
1. CLOUDS
2. LOOP
3. SHDWS 
4. SLFR