News
Montreal and Japan-based musician Jonah Yano announces his fourth studio album. Spin (out January 29, 2027).
Spin gathers the gentle, naïve, simplicities of Yano’s debut album, 2020’s souvenir, the sprawling arrangements of his BADBADNOTGOOD-produced sophomore effort, portrait of a dog, and the spirit of improvisation that animated 2024’s, Jonah Yano & the Heavy Loop, into a singular, concentrated document. Songwriting, as it always has been in Yano’s work, remains at the center as he espouses ease and self-assuredness.
To celebrate the album’s announcement, Yano releases a pair of songs from Spin. The title track offers a lush welcome to the project with thesis statement lyrics, “If life spins you around / Well then I’ll spin” punctuated by Yano’s warm vocals presented in layered harmony. While lead single “Holding On” offers wistful, groove-heavy piano, guitar and clarinet below Yano’s spare, delicate voice. Longtime collaborator and GRAMMY-award winning producer, Scott Zhang, aka Monsune co-produced the latter song with Yano.
Written and arranged across Montreal and Northern Japan’s main island of Hokkaidō, and recorded at Port William Sound in Mountain Grove, Ontario over five days, the 11 songs on Spin present Yano’s sonic identity at its simplest and strongest. He is backed by his long-time band, The Heavy Loop, with additional production contributions from Zhang (aka Monsune) and recorded with engineer Jonah Bonnetta. The shimmering water on the album cover is a picture of Hokkaidō’s Lake Shikotsu, where Yano would swim while writing the new songs. Previously, Yano has long made collaboration a cornerstone of his music – past collaborators include Mk.Gee, BADBADNOTGOOD, Clairo, Helena Deland, Ouri, Le Ren, Slauson Malone 1, Mustafa, and his father Tatsuya Muraoka among many others. On Spin, Yano is less interested in upending his musical language with collaborators than he is in distilling it on his own, reflecting the rewarding solitude of its writing process.
Yano was born in Hiroshima in 1994 and moved to Vancouver when he was four. He grew up listening to blues guitar and classic rock, learned piano under his grandmother’s tutelage, and later picked up guitar through a “School of Rock-esque” middle school program. In 2016, after moving to Toronto, he began recording demos on his cellphone and became immersed in the city’s underground music community. Many of the musicians he met there—including Monsune, Jacques Greene, Joseph L’Étranger, MONEYPHONE, and BADBADNOTGOOD—would become collaborators and friends, while helping him develop the technical vocabulary that would shape his early recordings. Yano’s work since his 2019 debut EP has earned praise from publications including Pitchfork, Billboard, The Fader, Metal, CLASH, Exclaim!, and Complex, while his music has been featured on NTS Radio, NPR’s Weekend Edition, and CBC Music’s The Intro. He has performed twice on COLORS and appeared at festivals including the Montreal International Jazz Festival and EFG London Jazz Festival, as well as touring extensively across Canada, Europe, and Japan. He has twice been a finalist for the SOCAN Songwriting Prize, for “delicate” in 2021 and “always” in 2023. His work has drawn support from figures including Gilles Peterson, Benji B, and the late Virgil Abloh.
In 2027, Yano will embark on his first American headline tour. More details to be announced soon.
"Such a forceful collection of parts woven together that you kind of feel like you can just float on it" NPR
“[Closer] wraps existential concerns of inner peace and connecting with one's surroundings inside of a tense, gentle ascendent ballad.” The FADER
“super chill and kinda takes you on this dreamy journey” BBC
Maria Chiara Argirò’s Closer is an album to get lost in. The rising electronic luminary and classically trained pianist presents a journey of self-exploration, and a manifestation of her profound connection with music. Rooted in an indescribable feeling that compelled her to create, the album transcends boundaries and tranverses the spectrum of electronic music with unparalleled depth and clarity. On the album, Maria says:
“It is about a feeling, a dreamlike feeling in motion, a feeling that we cannot describe, a dream I’m sort of walking through. Emotions/dreams/feelings that sometimes you can just imagine, a dreamlike world where we walk through to get to the core of ourselves a bit more, even if things are completely undefined and blurry. While working on the music there was this strong feeling - at times blurry and at times more defined - of getting, with every single note, closer and closer to the person I want to be. Free. Curious and consequently Aware, Connected and Closer to the people I love. There is so much noise in this world, I think being direct, gentle, light, open and connected is the key.”
Argirò has been a central figure in the UK electronic, jazz and classical worlds since she moved to London from Rome over a decade ago. A skilled pianist since childhood, she’s collaborated with everyone from These New Puritans to Jono McCleery to Jamie Leeming alongside output with Moonfish. Closer comes as the follow up to her stunning electronic jazz-fusion record Forest City, which received widespread critical acclaim across the globe and earned her fanship from Four Tet and Gilles Peterson, with the latter describing her music as “absolutely crazy good”.
The result of this journey, both sonic and personal, can be keenly felt on Closer. While it is definitely not a concept album, the record does mirror the path of inner self-exploration that Argirò has been on. Albeit moving in unpredictable ways, as it traverses the spectrum of electronic music spanning ambient to dance music, while also retaining light touches of jazz with a leaning towards experimental pop via Argirò’s more central and up-front vocals.
Closer sees its release alongside a new official video for album centerpiece “Time”. The live performance was filmed at The Cross London (King's Cross) and was directed by frequent collaborator Raoul Paulet.
Read more about the album on Line of Best Fit
Los Angeles’ Allah-Las have dropped a new single, the sparkling and stutter--stepped “Right On Time.” The song is another tease of the band’s forthcoming new album Zuma 85 which will be released on October 13 via the band’s own label, Calico Discos, in partnership with Innovative Leisure, which released earlier defining statements from the band including the eponymously named Allah-Las (2012) and Worship The Sun (2014).
Like the album as a whole, “Right On Time '' represents a new chapter for the band as they embrace the influences of late-era Lou Reed and John Cale, the ‘70s mutant pop of Peter Ivers and early Eno and Roxy Music. Allah-Las self-produced video for the single pays homage to the classic plug-and-play video shoots of the early MTV era, shot in a few hours on a white backdrop with minimal planning and a few rolls of 8mm film, the second video release from the forthcoming album "Zuma 85" captures spontaneous moments of absurdity, along with a few properly synched video clips.
Allah-Las confirmed Summer and Fall Tour dates including headline shows and festival dates across the US and Europe. The Zuma 85 Tour kicks off August 8 in Boston, MA and runs through November 18 with the last show in San Francisco, CA with more dates to be announced. Along the way they will play at New York City’s Rockaway Beach on August 4 at the Rockaway Beach Hotel and at Lodge Room in Los Angeles on November 15 (with Mirror Tree and Kolumbo as support) and November 16 (with Tim Hall and Sam Burton as support). All announced shows are listed below and tickets are available here.
On October 13, Los Angeles’ Allah-Las will release their new album, Zuma 85.
They have teased the album with lead single “The Stuff” (b/w the "Zuma 85" title track) and now share the official video for the track. Upon release, the single was supported by Line of Best Fit, Under The Radar, Brooklyn Vegan and MXDWN, among others. Austin Town Hall noted, “"You can’t deny that the band still have the effortless cool locked in here" and Buzzbands LA said, “They’re calling it a reinvention, and one only needs to hear ‘The Stuff,’ to hear their songwriting engine change gears." The captivating video was directed by Sam Kristofski who captures the band as they traverse through their native Los Angeles, from a cigarette stand in North Hollywood to the LA river. The video poignantly juxtaposes the nostalgia of the analog era with the pulsating energy of the digital age, reflecting on the evolution of the music industry.
Dates & tickets for Allah-Las upcoming shows are available at this link.
Los Angeles’ Allah-Las have announced the October 13 release of their new album, Zuma 85. Today they share the first taste of the new album via the lead single and LP opener, “The Stuff,” b/w the title track “Zuma 85.” The glammy and electronic strut “The Stuff” signals the start of a new era for Allah-Las, and finds the band reinventing itself in defiance of the algorithmic categorization and robotic sterility. Showing another side of the album the instrumental “Zuma 85” features field recordings with chimes that precede Manuel Göttsching (Ash Ra)-style guitars, which drift aquatically over a motorik rhythm and hazy synths.
Sharing a name with “Zuma 85” is a photo of an abandoned house by California photographer John Divola. Selected by Correia, the band’s resident photography head and album art designer, it juxtaposes a visage of man-made chaos against the natural beauty of the West Coast. It served as an unspoken reference point for the album, a symbolic totem indicative of a new era.
“‘The Stuff’ is a tongue-in-cheek ode to rock tropes and nostalgic sentiments in the music world, including stereotypes of musicians and various trends in music,” says the band.
Allah-Las have confirmed Summer and Fall Tour dates that include headline shows and festival dates across the US, Mexico and Europe. The tour kicks off June 15 in Oslo, NO and concludes November 18 in San Francisco, CA. Along the way they wll play at New York City’s Rockaway Beach on August 4 at the Rockaway Beach Hotel and at The Lodge Room in Los Angeles on November 15 and November 16.
Zuma 85 is being released via the band’s own label, Calico Discos, in partnership with Innovative Leisure, which released earlier defining statements from the band including the eponymously named Allah-Las (2012) and Worship The Sun (2014).
The pandemic induced downtime of 2020-2022 opened up space for the band members to focus on their own lives and interests, and the time to re-envision what creative processes could look like. When it came time to reconvene, a sense of looseness proved pivotal. Instead of bringing finished songs to the studio, they entered the picturesque Panoramic House recording in Stinson Beach with sketches, ideas, and riffs. Working with co-producer Jeremy Harris (White Fence, Devendra Banhart, Ty Segall) they shaped and crafted the new songs in real time over three sessions, which were then mixed in Los Angeles by frequent collaborator Jarvis Taveniere (Woods, Avalanches, Purple Mountains).
It was clear from the get go the bucolic environment—observed through picture windows overlooking Stinson Beach and Bolinas Bay—would be conducive to creating the first statement from Allah-Las 2.0. “We got in real late that first night of the first session,” Michaud says. “It was around midnight. We had a quick intro and Jeremy had a bottle of wine. We had a little and he said, ‘You wanna start recording?’”
They did. And when the group reassembled the following morning to listen back, they found the sparkling and stutter--stepped “Right On Time” mostly done. It was unlike anything the band had ever recorded but felt entirely natural. “Everything just worked,” Michaud says. “That studio just pulls it out of you.”
Zuma 85 finds the Allah-Las departing familiar territory and embracing the influence of late-era Lou Reed and John Cale, the ‘70s mutant pop of Peter Ivers and early Eno and Roxy Music, and textures borrowed from Japanese pop and loner-folk obscurities. There are kosmische zones, like the Popol Vuh-evoking “Hadal Zone,” anthemic and electronic boogies like “The Stuff” and “Sky Club,” and arch prog on tunes like “GB BB” and “Smog Cutter.”
For the last 15 years, Allah-Las have alchemically melded surf rock washes with folk rock jangle and rock, building up their lauded music podcast, Reverberation Radio, and record label, Calico Discos, in the process. A lot has changed since the group first bonded over psych rock vinyl in the back room at Amoeba Records in the late aughts and Zuma 85 finds the quartet facing a new world with a wealth of new sounds.
Allah-Las are Matthew Correia (drums/vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals), and Pedrum Siadatian (guitar, synth, vocals).