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On De Lux’s first two albums the duo tackled the innocence of youth and generational anxiety. Their third album, More Disco Songs About Love, smashed them together to create an ambitious party record about all sorts of stuff you didn’t know you could love. This go-around Sean and Isaac are still funny and profound and their sound remains easy to groove to, but the band is more influenced by the fun 80’s new wave of the Tom Tom Club and the experimentation and imagery of The Clash’s “Sandinista!” than cerebral DFA era disco.

In anticipation of the LA duo’s upcoming fourth album, De Lux are releasing a string of singles and two EPs. The first EP, titled “Uneven”, contains three new songs brimming with a newfound playful confidence that is the result of throwing out the old playbook and embracing the uncomfortable unknown. After writing, performing, recording, and producing three albums themselves, they’ve traded their typically hermetic recording process at their Burbank studio for a more collaborative experience. This time Sean and Isaac invited the members of their live band to record to tape at Jonny Bell’s Jazzcats Studio in Long Beach, CA. While De Lux has always been able to write immediately danceable and quirky pop songs with a strong dose of wit, these recordings get the sonic boost they deserve to match the quality and camaraderie of their intense and acclaimed live performances. 

"On and On (Till the End of Us)" is the first song on the EP. It starts with an unrelenting hiccup of a beat followed by disarming 8 bit beeps and boops before fidgety Chic style guitars and otherworldly strings come in that sound as if they could be the soundtrack to an intergalactic mission to save your home planet from being obliterated. Sean Guerin’s faraway sounding vocals are delivered with an urgency that makes you feel like you’re the world’s last hope.