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Beyond the real deal is the unreal deal, and therein lies Feeding People, a band of teenagers making some of the heaviest psychedelic around decadesafter the 13th Floor Elevators declared their hallucinatory sense of purpose. Feeding People was founded and is headed by nineteen-year-old JessieJones who channels the raw power of Jefferson Airplane’s Grace Slick and Janis Joplin at her most primal as she leads with strong, almost viciousvocals, bellowing blasphemies as if possessed by spirits with a masked sweetness reminiscent of Billie Holiday. Her siren call reeled in Chris Alfaro ofFree the Robots who produced some of the band’s earliest recordings, all of which were written acoustic and recorded electric in a single take in a’ 6’x10’ walk-in closet with a 4-track recorder and mic stands made of broom handles taped to fire extinguishers.After playing only a couple shows, Feeding People became the second band ever invited to play storied electronic music club Low End Theory, wherethey shared the stage with Radiohead’s Thom Yorke. This is the full length LP recorded andproduced by Jonny Bell of The Crystal Antlers and Hanni El Khatib.

Beyond the real deal is the unreal deal, and therein lies Feeding People, a band of teenagers making some of the heaviest psychedelic around decadesafter the 13th Floor Elevators declared their hallucinatory sense of purpose. Feeding People was founded and is headed by nineteen-year-old Jessie Jones who channels the raw power of Jefferson Airplane’s Grace Slick and Janis Joplin at her most primal as she leads with strong, almost vicious vocals, bellowing blasphemies as if possessed by spirits with a masked sweetness reminiscent of Billie Holiday. Her siren call reeled in Chris Alfaro of Free the Robots who produced some of the band’s earliest recordings, all of which were written acoustic and recorded electric in a single take in a’ 6’x10’ walk-in closet with a 4-track recorder and mic stands made of broom handles taped to fire extinguishers. After playing only a couple shows, Feeding People became the second band ever invited to play storied electronic music club Low End Theory, where they shared the stage with Radiohead’s Thom Yorke.  This is the full length LP recorded and produced by Jonny Bell of The Crystal Antlers and Hanni El Khatib.

Beyond the real deal is the unreal deal, and therein lies Feeding People, a band of teenagers making some of the heaviest psychedelic around decadesafter the 13th Floor Elevators declared their hallucinatory sense of purpose. Feeding People was founded and is headed by nineteen-year-old Jessie Jones who channels the raw power of Jefferson Airplane’s Grace Slick and Janis Joplin at her most primal as she leads with strong, almost vicious
vocals, bellowing blasphemies as if possessed by spirits with a masked sweetness reminiscent of Billie Holiday. Her siren call reeled in Chris Alfaro of Free the Robots who produced some of the band’s earliest recordings, all of which were written acoustic and recorded electric in a single sweaty take in drummer, Michael Reinhart’s parents’ 6’x10’ walk-in closet with a 4-track recorder and mic stands made of broom handles taped to fire extinguishers. After playing only a couple shows, Feeding People became the second band ever invited to play storied electronic music club Low End Theory, where they shared the stage with Radiohead’s Thom Yorke. “Island Universe” is the first single from their upcoming 2013 release which was recorded and produced by Jonny Bell of The Crystal Antlers and Hanni El Khatib.