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On the new single, Meat Market, Iguana Death Cult explain "This angry little ditty about the death of romance is an absolute success during the live shows but we decided to keep it of the record because it felt a little to far away from the other songs."
"Frenetic, intense sonic assaults, they turn psych punk into astonishingly concise three-dimensional documents." - CLASH
Rarelyalways released his brilliant ‘Baby Buffalo’ EP last October to critical acclaim. Pitchfork praised the Hackney raised jazz musician, producer and vocalist for carving out a niche of his own, whilst Billboard, amongst others, boldly predicted big things on the horizon.
Fast forward 6 months and the recently released ‘Lamenting’ provided further evidence of his distinctive style and flavor. The second single to be taken from his upcoming ‘Manic’ EP, penned for release on June 11 is ‘Hungry. Produced by Hanni El Khatib, grime, trip hop & jazz effortlessly intermingle with his unique, skeletal flow.
"Putting this song together was one of the most challenging moments I’ve had as an artist,” he explains. “If I have to describe it in one word, I’d say it’s unapologetic." Most of the lyrics were written in his final years at secondary school, in the aftermath of the Mark Duggan shooting.

The Hawaiian-born, Long Beach-based songwriter Lionel Boy releases his debut album Lionel Boy via Innovative Leisure. Lionel Boy’s sound mixes spacey synthesizers, impromptu breakbeats & bedroom pop. The airy, jazz-cracked, electronic pop of Lionel Boy belies a wistful romanticism, a careful observational streak, and a meditative fixation on life and death. Lionel Boy is soulful and easy-going, both introspective and laissez faire, extremely mellow but never soft-headed.
Nick Waterhouse unveils a new animated video for "B. Santa Ana, 1986" off of his new record, Promenade Blue.
Behind the video he shares, "I first met the artist and animator of this video, Daniel Bermudez, in a bar called the Attic (RIP) in San Francisco as brilliant, manic 45s spun over the sound system. He and the irrepressible Primo Pitino ran one of the greatest parties of all time - ‘OLDIES NIGHT’ (intentionally generic title that betrayed the cosmic and freewheeling artistry of such a musical and atmospheric endeavor). He and I got together designing my first record labels at the letterpress he worked at. We’re both California natives and he’s done my tune more than justice with this Spaniel charcuterie passing through exactly the kinda world I aimed to conjure in ‘B. Santa Ana 1986.’”